Category: NonFiction

We hear from James Earl Jones on reclaiming Othello as a tragic hero, Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching the plays to actors, F. Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.

F. Murray Abraham ● Isabel Allende ● Cicely Berry ● Eve Best ● Eleanor Brown ● Stanley Cavell ● Karin Coonrod ● Brian Cox ● Peter David ● Margaret Drabble ● Dominic Dromgoole ● David Farr ● Fiasco Theater ● Ralph Fiennes ● Angus Fletcher ● James Franco ● Alan Gordon ● Germaine Greer ● Barry John ● James Earl Jones ● Sir Ben Kingsley ● Maxine Hong Kingston ● Rory Kinnear ● J. D. McClatchy ● Conor McCreery ● Tobias Menzies ● Joyce Carol Oates ● Camille Paglia ● James Prosek ● Richard Scholar ● Sir Antony Sher ● Jane Smiley ● Matt Sturges ● Julie Taymor ● Eamonn Walker ● Dame Harriet Walter ● Bill Willingham ● Jess Winfield

Before he became a writer, Ralph Ellison wanted to be a musician: ”I began trying to write in 1937 and finally gave up all hope of becoming a professional musician.” In ”Living With Music,” Robert G. O’Meally, the director of the Center for Jazz Studies at Columbia University and a professor of comparative literature there, has collected music-related excerpts from Ellison’s essays, letters and interviews and his two novels, ”Invisible Man” and ”Juneteenth.” The collection shows that music informed, influenced and inspired Ellison’s writings, as well as his admiration for musicians ranging from Charlie Christian and Jimmy Rushing, whom he knew as a child in Oklahoma City, to Duke Ellington, whom he met while a student at Tuskegee. It matters not if it is jazz, blues or gospel; Ellison’s passion for music is evident. Whether he is writing a homage to Ellington on his 70th birthday, analyzing how the blues infuses Richard Wright’s autobiography or reviewing recordings of Mahalia Jackson, Ellison is insightful while keeping the focus on what role the music plays in American culture.

( Courtesy of  The New York Times,  hardcover  290 pages )

Canadian politicians have, from time to time, proclaimed a war against poverty. What they are really prosecuting, however, is a war against the poor. Unemployment benefits are routinely denied to people who, over the course of a lifetime, have contributed a portion of their earnings to UI (now called EI).

Welfare rolls have been slashed by provincial governments. The downloading of government services combined with tax cuts that benefit the rich have resulted in the reduction or elimination of countless programs, from hot lunches in the schools to subsidized housing. Politicians and bureaucrats have responded by inventing new definitions of poverty but people without food remain just as hungry as before and people without shelter are still without homes.

At no time since the Great Depression has the gap between rich and poor been so wide and the outlook for poor people been so grim. Hard-hitting and outspoken, Hurtig builds a compelling portrait of Canadian society under the rule of the “neo-Neanderthals.” He puts together the latest and most reliable statistics with stories told by people on the front lines of the poverty wars.

Many of these stories are as heart-rending as the comments from politicians and their corporate supporters are callous. Pay the Rent or Feed the Kids challenges all Canadians to re-examine the society we are living in and to demand changes for the better.

( Courtesy of GoodReads,  paraphrased from the sleeve  357 pages )